Only a day after arriving in Sicily, Claudia and I
loaded ourselves onto a bus to cross the island towards Palermo, the fifth most populous city in Italy and home of our friends Arianna and Danilo. Palermo is over 2700 years old, and is rich is its culture, history, and geography. The two full days we spent there far from covered all the city has to offer. On our first day, we admired Sferra Cavallo on the Tyrrhenian Sea and I could not get over the fact that I was walking freely along a beach three days before Christmas. In the afternoon we were treated with Part One of our grand Tour of Palermo, guided by Armando, Arianna’s childhood friend with a passion for Sicilian architecture and history.
We grabbed some traditional food at the Antica Focacceria San Francesco, a focacceria famous for refusing to pay the pizo, the Mafia’s tax. It is thus constantly guarded by Carabinieri, the most effective Italian police force. I was amazed to hear my friends’ attitude towards the Mafia. While they don’t personally support it or take part in it, they explained to me that the Mafia is a part of the culture, even perhaps the true governing force in Sicily. Many Sicilians do not see themselves as a part of the state of Italy but as more of an independent entity governed and guarded by the Mafia. The Mafia, at least in Sicily, is viewed as fairly effective and generally does not harm anyone who has not directly confronted or challenged them. Citizens scoff at tourists’ fears that the Mafia would waste its time on people who have nothing to do with its affairs. I found this all an incredibly interesting and wholly different perspective.
After dinner we returned to the city center where we saw the Teatro Massimo, the largest theater in Italy and the third largest in Europe. It’s an architectural feat for which Sicilians are quite proud. I absolutely loved how the main stairs were filled in the center with a blanket of poinsettia plants giving the appearance of a giant red carpet lining the steps up to the theater. During the later part of the past century, the theater closed for some routine safety renovations and did not open again until 1997, twenty-three years later. Efficiency is not always high in Italian priorities.
The next day we drove up Monte Pellegrino, which offers a breath-taking vista across the Tyrrhenian Sea and the city of Palermo. We also took a power tour through the seashore of Mondello before our train left for the city center.
That evening we returned to the Centro Storico, the historical
center of Palermo, for Part Two with Armando. One of the first things we saw, after the inside of a pasticceria, or pastry shop, was the Palermo Cathedral, built in 1185. Though chiefly designed in Gothic-Catalan style, it was renovated until the 1800s and shows influences from many different schools of architecture. Inside this church you can find a meridian across the floor with
all the symbols for the different astrological signs. I
believe some sort of light shines in through the some window overhead and based upon the time of year will hit the appropriate zodiac symbol. Inside, the cathedral was incredibly ornate and beautifully decorated as was to be expected, I suppose, but proved quite impressive nonetheless.
After leaving the cathedral, we walked through an immense market selling all sorts of fresh produce, regional foods, and spices. The sounds, colors, and smells painted a w
onderfully old-world Sicilian image. It was a path few tourists seemed to cross, and I was thrilled to wander through it with my Sicilian friends. I had t resist urges to buy all sorts of wonderfully colored, delicious looking items since I knew Arianna’s mother would have another delicious, typically Italian dinner waiting for us when we came home that night.
I couldn’t believe how much Armando knew about nearly every building and piazza we passed, and I certainly couldn’t absorb most of it. I did learn, however, that for the brief period of time around 1000 AD after the Arabs took over rule of Sicily from the Byzantines has had a strong lasting influence on Palermo. It was during this time that Palermo truly rose to prominence in Sicily. By 1100 AD Sicily was under the rule of the Normans, and so the classical architecture across the city is a blend of traditional Norman and Arabic style. What a fascinating blend! Between 1300 and 1700, Sicily was under Spanish rule (first through the House of Aragon, which ruled the part of Spain nearest France where Barcelona is located), and this culture’s architecture and language has also left strong traces throughout the city. I was captivated by all the magnificent churches we saw and also undeniably surprised to notice at buildings scattered throughout the city that have still not been repaired since World War II (love that Italian
efficiency), though I suppose on the scale of Sicilian history, not much time has passed since those buildings were damaged.
We passed through the Quattro Canti, a square which divides Sicily into its four mandamenti, or quarters. It was beautifully decorated for Christmas and generally ornate with sculptures of the four seasons, the four Spanish kings of Sicily, and the four patronesses of Sicily on the four buildings that delineate the square. After this we visited our final church, Chiesa Sant’Andrea Avellino. I realized as I was listening to Armando describe all this history and watching my friends admire the architecture that
the experience was quite different for me and them. It was all so exciting and exotic for me whereas this was their history, their home that they were exploring. At one time, it had been my ancestors’ story too, but it is not mine. I felt distinctly like an outsider, yet it wasn’t disconcerting. Being an outsider has its advantages, too.